Imagine a big picture consisting of thousands of different scenes, each one a world in itself, these are meanings and are all of the separate aspects of a miracle. Complicated is one and we have effectively gone much more than complicated, we have gone as different as different can be. We would run out of these differences eventually and what we now have is the big idea. There is a lot of it but there is an amount of detail to the resulting idea.
Structurally each meaning is a way of putting everything, a different configuration of words, a different kind of sense with a single meaning which each meaning is not. For short each one can also be expressed as a bit and not a whole bit four of the others and is still one thing itself; the bits may seem abstract or contradictory but will be visible from different perspectives. There is a format of things which are true of each one, there is more than one word which has the same meaning and there are longer words for additional materials and things in these scenes also. Each one has different phrases and actions which refer to the other meanings as part of that meanings way of putting everything; all the other meanings will eventually be referred to except for one.
There is more than one phrase for each meaning, the phrases come in pairs and mean four things each; there is different architecture in these scenes which these timeless phrases are written on. The ancient archaeological sites and indeed more modern architecture are examples of buildings from each of these scenes.
There is an archetype in each one of these scenes and there is more than one action associated with each one (there are in fact four different forms for each one). There is usually a character in a film, TV programme, game or piece of artwork to refer to as for what these look like. There is or has been someone here who has the same meaning.
These meanings are defined in terms of one another and are part of an intractable paradox or singularity, each one given meaning by being part of a set with the others. If we had something like soot under a microscope we would be able to perceive the same set of characters. The idea doesn’t need to be put anywhere it is inherently anywhere anyway.
These meanings include all the lost religious practices throughout history; a different meaning was practised at the different archaeological sites around the world and these can be re-established by determining the words, phrases, actions and other attributes of each one. The context for each is that it is part of a set with thousands of others and can be represented as a bit four of these. There is a dance style for which there is a song somewhere which is perfect for these purposes, you don’t even have to move around much to perceive the existence of a meaning; it’s the way you are looking.
Some of the people in ancient times were aware of the fact that the sounds we make actually represent buildings and other structures. Roman engineering, 'Sound is Contested' is a bit elven and a bit towards the grave; Eldar is a good word. The separate strips actually represent other meanings as part of the overall sound, instead of strips literally of fire, ice or some kind of exotic material; which is obviously a lot more feasible to implement. These different sounds belong to a specific meaning and so do not have to be implemented in ’Sound’. With that said the bottom central section inside the Altar of Peace is the ’Sound’, sound “Hush”. The egg and dart is 'Ornamental' and the bottom strip ‘a Collective is Fragmented’, the latter here is a bit 'Autocratic' which can be seen on the underside of the architrave on the temple at Baalbek for comparison. There is a leafy variant of something vaguely egg and dart visible on monuments elsewhere which I expect is a bit ’Ornamental’ in meaning. There are not examples of all of the strips for each meaning historically, for example silly would look like a piece of silly string. Additionally these sequences can end up being correct unintentionally because it’s the way everything goes, however some have been done knowingly; the Altar of Peace is good example of this. One thing I am interested in is collecting up these strips (which are the ‘Sound’ depiction of the other meanings) and completing the set with those which are missing.
The Altar of Peace consists of the architecture and sounds of several meanings brought together. The mid-section is the 'Plain' sound “Shh” and the top part the 'Speechless' sound “Shush”, these would have been plus shaped from above but have been made into an altar. The walls internally feature the so-called bucrania motif, but is in fact the ‘Surprise’ sound for Augustus, while the lower portions’ flip-flopping panel effect is representative of 'Gold'. The interior columns and lower portion feature the ‘Meaningless’ style which although it was before his time has to do with Caligula and is a bit ‘Tall’; the presence of ‘Meaningless’ here has to do with integrating people of the time into this historic peace/piece. The decorative strip on the inside is ‘Golden’ while the one externally is ‘Silence’ and these actually have the same meaning; that 'Silence is Golden'. This suggests there is an orientated and a non-orientated version of the strips for each meaning and that these are to do with the different words associated with the same meaning. The exterior columns and lower panels are ‘Silence is Golden’ which has the same meaning as a Swan and is both a bit ‘Plain’ and ‘Sound’. 'Imperial' which is Nero’s’ meaning is a bit ‘Golden’ and he would have been inspired by this, see how he is also a bit Swan looking in appearance. Originally the exterior would have contained the rest within the “Hush” sound also, but has not been repaired completely at the top. It is however safe to say there is something hush-hush going on here.
Elsewhere the Colosseum is an accurate reproduction of the sound you make when you make a mistake; from the meaning 'a Mistake is Repeated', while Diocletian’s tomb is the ‘Jovial’ sound “Hup” (as in “Hup! Is that the time?”). Further still the Church of St George in Lalibella, Ethiopia is the sound “Shtum”.